About Me
As a cellist, I find inspiration in the rich cultural narratives that a thoughtful musical score can convey. I believe that music holds its greatest power when it resonates with both the intellect and the heart, drawing listeners into profound experiences related to memory, identity, and the shared human spirit. By exploring repertoire that bridges cultural traditions and pursuing collaborative, interdisciplinary projects, I seek to push the expressive boundaries of classical music—offering spaces of beauty and reflection in a fragmented world.
Critics have described my playing as having “incredible depth,” a “haunting sound,” and “exemplary musicianship,” reflecting my commitment to uncovering the emotional and philosophical layers woven into each composition. I am especially drawn to repertoires that inhabit the spaces between traditions, where forms, tonalities, and timbres invite rich interpretive dialogue.
These interests inspired my album Across the Ages, awarded the Critics' Choice by the American Record Guide Magazine in 2020. The album features works by Alan Hovhaness—a composer whose synthesized Western classical idioms with ancient Armenian, Japanese, and Indian musical traditions. The album invites listeners into a deeply spiritual musical experience that bridges our modern world with ancient civilizations, nature, and each other. By blending diverse global traditions, the music serves as a lesson in empathy, guiding us toward a profound understanding of human nature and distant cultures. It asks the listener to step into rich, imaginative landscapes of complex emotion, offering a space to discover and embrace the timeless mysteries of our shared human history.
Influential figures in my musical journey include János Starker, whose teaching emphasized clarity and tonal richness, and Robert Hatten, who broadened my perspective on music as a symbolic language filled with emotional and cultural significance. In addition to performing, I actively mentor cellist, guiding them not only in technical skills but also in developing their interpretive voices. I view music as an intellectual and emotional pursuit, encouraging performers to connect with the deeper reasons behind their artistry.​
